Broadcasted live on Twitch -- br The Rites of Moog, a mix by Shadow Factorybr br Tracklistbr ArtistTrackRelease,Year of releasebr br Alan Hawkshaw – The Silent Witness, Opening Title (with excerpt from the programme narrated by Kenneth More) – The Silent Witness, 1978br Malcolm Cecil, Robert Margouleff (TONTO) – Christ, When I Leave This Life - Caldera : A Moog Mass, 1970br Romuald Vandelle (Le group de recherches musicales de la R.T.F) – Crucifixion [excerpt] - Musique Expérimentale, 1962br Gershon Kingsley – Maven on the Moog no. 5 – God is a Moog, 2005br Bruce Haack – Stand up Lazarus – Electric Lucifer II, circa 1979br Gershon Kingsley – The Jewish Experience pt. 2 – God is a Moog, 2005br Terry Wallace and his Interstellar Moog Sounds (Eric Siday) – Heaven in their Minds - Moog Superstar, 1974br Delia Derbyshire – Amor Dei – 50 Years of Religious Broadcasting, 1974br White Noise ‎– An Electric Storm The Black Mass: An Electric Storm In Hell - An Electric Storm, 1969br Anton LeVay – Hymn Of The Satanic Empire, Or The Battle Hymn Of The Apocalypse – Satanic Mass, 2005br Lucifer(Mort Garson) - Exorcism – Black Mass, 1971br The Eccentronic Reaseach Council – If You Want To Worship - Go To Church - Johnny Rocket, Narcissist & Music Machine... I'm Your Biggest Fan, 2015br Graeme Miller & Steve Shill - Midwinter Rites – The Moomins, 2017br Boards of Canada – From One Source All Things Depend – Geogaddi, 2002br Mike Oldfield – Incantations Part 2 (excerpt) – Incantations, 1978br br Notesbr “So straight it’s freaky. Or so freaky that it’s straight. And when was the last time you had a talk with The Man Upstairs?” (Billboard Magazine review of Caldera : A Moog Mass, November 14, 1970).br br I’ve been thinking about this mix for some time. I’m not sure when it came together in my mind, but over the past couple of years I’ve been actively collecting pieces that fit into the theme of religious or occult inspired music created with electronics. Depending on where you view it from, that people would use synthesizers to produce music which is inspired by the supernatural either makes no sense at all or seems inevitable. No sense, because the electronic music has always been associated with the future, technology and science. But, inevitable because whether treated ironically, in all seriousness or done just for the hell of it, the supernatural is unreal and electronic music is, or at least was in the early years, equally uncanny.