Without feedback from expert players no guitar can be made easy to play br br Post-Paco de Lucia's Age in Avant-Garde Flamenco Guitars br br br Easy to play status on modern flamenco guitars br br Play-ability & Low Action Re-defined br br br The Old Mis-conception of "Setting" = Having to "Fix" Every so called "great flamenco guitar" br br br Ovangkol Negra = Redefining The Flamenco Negra Mild-Male & Twin Guitars br br The dubious greatness of Cypress blanca in flamenco tradition br br br *Ex.1 00:14 solo I br Ex.2 02:52 solo II B br Ex.3 11:36 solo III B br Ex.4 04:14 (answer for the magazine) br br br Paco testing new fret board division br br Female Cherry &Male BR br br Ebony Fret-board is Obsolete Choice in Flamenco Guitars Today br br br "Pulsación" and Beyond br br Sound Portal br br If you disagree with me the following video is for you... if not just skip it br br Paco de Lucía’s vs Traditional Flamenco Guitar br br br Maple Fret-board = Matchless Playability New Generation Andalusian Guitars br br This is differentiation, the rest is just same of the same.. * New Andalusian Guitars Maple Bridge br br Playability & Low Action Re-defined + Unique Features br br br Opinions vs Facts About Tuning br br Why Cypress Guitar is an Obsolete Concept Today...? br br br Sharing Knowledge br br Why did Paco play the same guitar on his show for about 30 years? br br br If a luthier tell a person "...this guitar I made is so great..." br is like if my mother tells someone that: "...You know my son is the best guitar player of the world..." br br "...When you know a thing, to hold that you know it, and when you do not know a thing, to allow that you do not know it - this is knowledge...." (Confucius) br br ........ br br Stay Relevant in modern flamenco guitar br br ....... br br Without playing at our level how a Luthier knows what is play-ability for us...