Another source of inspiration for the young Liszt was the famous fresco "Triumph of Death" by Francesco Traini (at Liszt's time attributed to Andrea Orcagna and today also to Buonamico Buffalmacco) in the Campo Santo, Pisa. Liszt had eloped to Italy with his mistress, the Countess d’Agoult, and in 1838 he visited Pisa. Only ten years later, Liszt’s first sketches materialized into a complete version of his Totentanz.