Des essayages au défilé avec Isabel Marant pendant la Fashion Week de Paris br br #VogueFollows : A quoi ressemble la préparation d'un défilé parisien? Des coulisses des essayages dans ses bureaux à celles du show, Vogue a suivi Isabel Marant pendant la Fashion Week de Paris. br br br Directed by Linus Ricard @ Moon Management br Written by Maud Charmoy @ Vogue Paris br Edited by Tim Panduro @ Moon Productions br Produced by Anja Gildum @ Moon Productions br Executive production by Mariusz Skronski @ Moon Productions br br Editor in chief Vogue.fr : Jennifer Neyt br Artistic director: Lysa Thieffry br Head of Vidéo: Nicolas Pellet br Vidéo Manager: Maxime Auburtin br br En savoir plus sur # br br br 1 br 00:00:04,670 -- 00:00:08,560 br So, we're three days away br from the show, in my showroom. br br 2 br 00:00:09,260 -- 00:00:14,240 br We're working on the br girls' looks br br 3 br 00:00:14,270 -- 00:00:16,740 br with their hair and make-up. br br 4 br 00:00:17,330 -- 00:00:19,080 br And we're casting br at the same time. br br 5 br 00:00:19,340 -- 00:00:21,880 br This is the magical moment br when everything takes shape, br br 6 br 00:00:21,960 -- 00:00:24,720 br the girls are ready, the make-up br is ready, the hairstyles are ready, br br 7 br 00:00:24,740 -- 00:00:26,040 br and the clothes are ready. br br 8 br 00:00:26,260 -- 00:00:30,220 br It's a fantastic time. br br 9 br 00:00:31,000 -- 00:00:36,820 br It's true, in fact, that I've always taken br the word 'ready-to-wear' literally. br br 10 br 00:00:36,820 -- 00:00:39,800 br What I'm interested in, is dressing br people for their everyday lives, watching, br br 11 br 00:00:39,800 -- 00:00:46,560 br finding out why we choose one kind of clothing style br is chosen over another clothing style. br br 12 br 00:00:46,880 -- 00:00:49,720 br I'm very much about real life. br br 13 br 00:00:49,760 -- 00:00:52,960 br I've got kids, I take them br to school, and I drive a scooter. br br 14 br 00:00:53,000 -- 00:00:55,740 br I don't have a driver who br picks me up and waits for me. br br 15 br 00:00:56,020 -- 00:01:02,140 br I like to do my shopping, br and go to the market with my trolley. br br 16 br 00:01:02,510 -- 00:01:07,540 br I can't always be perched up br on fifteen-centimetre high heels, br br 17 br 00:01:07,600 -- 00:01:13,960 br dressed in a pencil skirt br with five-centimetre long nails. br br 18 br 00:01:14,010 -- 00:01:15,660 br That's not who I am at all my look. br br 19 br 00:01:15,720 -- 00:01:20,300 br What I am interested in is, how, bearing in mind that br br 20 br 00:01:20,320 -- 00:01:22,000 br clothes are made br to be worn, br br 21 br 00:01:22,000 -- 00:01:26,280 br that we can to feel good in them, br we want to look different, br br 22 br 00:01:26,300 -- 00:01:29,000 br and sexy br without having to hide away feeling like we're in disguise, br br 23 br 00:01:29,060 -- 00:01:32,880 br that's really my br challenge every season, br br 24 br 00:01:32,900 -- 00:01:35,760 br by telling myself stories to myself br and travelling a little because br br 25 br 00:01:35,800 -- 00:01:38,510 br that's what I like when I’m doing the collections. br br 26 br 00:01:39,000 -- 00:01:41,980 br All the same, you've br always got to think about br br 27 br 00:01:42,140 -- 00:01:47,320 br the real girl who will be wearing the clothes br and I myself will always opt br br 28 br 00:01:47,320 -- 00:01:50,460 br for a relatively br simple and comfortable style, br br 29 br 00:01:50,480 -- 00:01:56,060 br before settling on over br a look which says: here I am. br br 30 br 00:01:58,600 -- 00:02:01,480 br I remember my first show br very, very well. br br 31 br 00:02:01,550 -- 00:02:05,520 br It was crazy really br because I had spotted br br 32 br 00:02:05,540 -- 00:02:10,440 br a place nearby which was br completely ruined and abandoned. br br 33 br 00:02:10,480 -- 00:02:13,280 br The place was simply magical. br br 34 br 00:02:13,700 -- 00:02:16,220 br I was allowed br to parade hold the show in it. br br 35 br 00:02:17,280 -- 00:02:21,280 br One week before the show, once br the invitations had been sent out, br br 36 br 00:02:21,500 -- 00:02:24,840 br They suddenly called me: "oh no, br it's not going to be possible". br br 37 br 00:02:24,840 -- 00:02:26,120 br And, then, bang! br br 38 br 00:02:26,800 -- 00:02:31,500 br You're twenty two, you've put br all your energy into this crazy show. br br 39 br 00:02:32,160 -- 00:02:35,700 br Everything collapses all of a sudden, br one week before the show br br 40 br 00:02:35,720 -- 00:02:37,480 br with the invitations br already sent out. br br 41 br 00:02:37,800 -- 00:02:44,620 br So I said: "OK", and undeterred, "I'll do it anyway, br with or without permission or authorisation". br br 42 br 00:02:45,500 -- 00:02:50,540 br We were absolutely terrified, br but as ever, right up until the last minute br br 43 br 00:02:50,540 -- 00:02:57,560 br that the mayor should suddenly drop in br to see whether we'd done it anyway something or not, br br 44 br 00:02:57,610 -- 00:02:59,300 br and the music was blaring, there were balloons, br br 45 br 00:02:59,300 -- 00:03:01,340 br we had planned to have a party afterwards. br br 46 br 00:03:01,620 -- 00:03:02,560 br We did everything.