True to his name, Haskell Small has always been fascinated with miniatures. An earlier chamber piece of his, Twelve Snippets, consists of individual movements no longer than ten seconds each. Loosely following this model, Scraps is a grab bag of teeny bits of blues and jazz. Note particularly no. 10, a thirty-second fugue, and no. 11, a fantasy, both of which feature echoes of earlier ideas. A five-second coda serves as the works finale. Scraps was written for the Dutch pianist Marcel Worms as part of his multi-national Blues Project, and is published by Peer International in both its original piano solo form and in a transcription by the composer for orchestra.