Download Link File : A LONG NOTE ABOUT THE PROLOGUE Somewhere between the ages of twenty-four and twenty-six, the infamous cyclops named Francis went through his early artistic phase (after his religious phase, but before his later anti-art artistic phase.) During this brief but fruitful period, Francis diligently worked on a film that would show the world his vision, unlike that which any human eye had seen. Francis was inspired by several trips to the cinema. Unable to discern what was happening on the screen with his single eye, abstract flashing visions would appear to him as he sat in the dark room, and slowly, a story would begin to play out in his imagination. Urgently, he felt the need to find a way for other people to see his kind of movie, the one that flickered in his mind. Convinced that no human could possibly understand his vision, he directed the film himself, despite his inability to look through the viewfinder without suffering from bouts of vertigo and narcolepsy. He found two actors, and had them dressed and made up to look exactly like himself and Lina Rae. He was never satisfied with their resemblance, though others were mystified by how they looked exactly like their real-life counterparts. The fake Francis and Lina Rae would frequently be confused with the real Francis and Lina Rae throughout shooting, to the point where Francis became confused as to whether he was acting, directing, or merely having another nightmare vision. Francis pursued the project with a skeleton crew. He spent a year in preparation and production, dictating and re-dictating his script ideas to Lina Rae, shooting and re-shooting scenes, splicing and re-splicing his precious footage using the cutting-edge scissors and tape technology of the time. However, as Francis became more and more preoccupied with other pursuits, he abandoned the film. Even when he returned to his art later in life, he deemed the project an inevitable failure, an impossible dream. The film reels were ...