Originally, the background artist was supposed to be Mary Blair and she did some inspirational sketches for the film. However, she left the studio to become a children's book illustrator in 1953. Claude Coats was then appointed as the key background artist. Coats made models of the interiors of Jim Dear and Darling's house, and shot photos and film at a low perspective as reference to maintain a dog's view.[10] Eyvind Earle (who later became the art director of Disney's Sleeping Beauty) did almost 50 miniature concept sketches for the Bella Notte sequence and was a key contributor to the film.
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